POLITICAL-THEMED ‘YANKIN’ THE FOOD CHAIN’ RE-RELEASED

POLITICAL-THEMED ‘YANKIN’ THE FOOD CHAIN’ RE-RELEASED

New York, NY — Polarity/1, the multi-genre artist best known for bold, honest, hard-hitting songs, has re-releasing his hit album, Yankin’ the Food Chain, now with re-mastered tracks.

Yankin’ the Food Chain fuses electronica, acid jazz, alternative and electro-folk to create a set of funky-fresh beats infused with crucial political messages to future generations. The serious issues covered on Yankin’ force listeners to reanalyze their own ethics, especially when cornered with their own self-images in “Look at Your Shoeshine”: “Can you see yourself in your shoeshine?/ Step back!”

>From the excitingly chilly vocals of “Salesman,” to the persuasive political raps found in “News Goo,” to the astoundingly real lyrics of “Di Hard” (“The good die young/ and the bad get paid”), Yankin’ has something to offer every music-lover. Perhaps most notable, though, are the album’s funky, upbeat tracks, such as “Boomers Blues,” “Jam Inya Jimmies” and “Cincinnati Pink.” With lyrics like “She’s catchin’ the groove and won’t let go,” it’s obvious that once you put on this Polarity/1 record, you won’t be letting go of the groove either.

But don’t take our word for it; here’s what others have to say:

“Polarity/1 is a musical force unleashing some of the hippest beats and timely lyric[s] on the scene” (MediaChannel.org).

“‘Di Hard’ is a medium tempo groove with rapped and sung vocals, everything done by Polar except for exquisite backing vocals by Scott Parker Allen and Sabina Sciubba. The song is a comment on Princess Di’s demise, the role of the media, and the times we live in, serious without becoming sentimentalized or preachy. An interesting exercise in a style that’s very hard to pull off” (Recording Magazine).

“Polar succeeds in his mission of forcing you to pay attention and not lull into the sounds you ‘expect’ to hear” (StarPolish.com).

The music of Polarity/1 is exactly what the name suggests?”conjoined opposites,” including the new (cutting-edge electronica, hip-hop and nu-jazz) and the old (roots music of America, including blues, funk, country and early jazz, Brazil (samba, pagode, etc.) and West African groove science). Polarity/1’s music has been incorporated by dance theaters and documentarists, including Danny Schechter’s feature-length film documentary ‘In Debt We Trust’ and Battery Dance Company’s 26th Annual Downtown Dance Festival last year.

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